Leaked HBGary Documents Show Plan To Spread Wikileaks Propaganda For BofA… And ‘Attack’ Glenn Greenwald | Techdirt

February 12th, 2011

I missed this while I was watching the revolution in Egypt:

It appears that the law firm BofA was using as a part of its Wikileaks crisis response task force, Hunton and Williams, had reached out to firms asking for research and a plan against Wikileaks. HBGary Federal, along with Palantir Technologies and Berico Technologies put together their pitch. According to the emails discussing this, the firms tried to come up with a plan as to how they could somehow disrupt Wikileaks , see if there was a way to sue Wikileaks and get an injunction against releasing the data.

What comes over in the presentation below is the atrocious idiocy of the people planning the ‘disruption’, who’d already shown ineptitude in their discovery of the ‘leadership’ of Anonymous. This is the best that the Bank of America can hire to take down Wikileaks?

Leaked HBGary Documents Show Plan To Spread Wikileaks Propaganda For BofA… And ‘Attack’ Glenn Greenwald | Techdirt.

‘The Globalist Web of Subversion’

February 12th, 2011

I was wondering how long it would take me to encounter this statement. If you like it is the bad twin of the ‘X is a Twitter Revolution’ position, which I don’t suspect advocates take to mean, “X is merely an example of Americanisation.”  One day after Mubrarak stepped down was faster than I thought! Skimmed for and added to my long reading list, which gets piped to my Kindle via Instapaper, a system that is working very well for me right now.

It should not be too difficult to see – if one can think beyond the mass media hype – that the “color revolutions” and the “spontaneous revolts” that have taken place, and are now taking place in the Arab world, have not arisen from “traditional Christian and Muslim Arabs” in a revolt against Americanization and capitalist moral nihilism, as per the statement by Sobran, but rather arose among bourgeois secular youth under the long-term influence of American globalists. Whether the current revolts will be captured by Arab traditionalists and turned into a genuine liberation movement against Americanization remains to be seen.

Genuine stirrings against global Americanization referred to by Sobran constitute the major roadblock to the “new world order,” whether as regimes such as those of Iran or as grass roots phenomena such as the re-emergence of nationalism and traditionalist movements in the former Soviet bloc states, wishing to revive what American globalists consider to be anachronistic ideas, such as those of religion, ethnic identity and nationalism. Against these they postulate a counter-idealism, concentrating on the youth generation, in the same manner by which the American Establishment sought to co-opt and experiment with American youth via the “New Left” during the 1960s.[12]

The American Establishment, or – if you prefer – what Eisenhower in his presidential “farewell” speech called the “military-industrial complex,”[13] seeks to direct the emergence of revolutionary and reform movements throughout the world, albeit presented by media and political commentators as rebelling against America. Hence the present phenomena of “revolt” that has “spontaneously” (sic) swept North Africa, with the public being simplistically told that this is causing the fall of “pro-American dictators.” As I have previously pointed out, the “spontaneous revolts” in Egypt and Tunisia, for example, portrayed with such unrestrained enthusiasm by the Western news media, are the culmination of years of planning, training, networking, and funding “activists,” following exactly the same pattern as that seen in the “color revolutions” of the former Soviet bloc states.[14] A far-reaching network of interlocking organizations has emerged, funded in part by the US Government, and in part by corporate sources, to foment “world revolution.”

via The Globalist Web of Subversion | FPJ.

The Rapid Reterritorialisation of Limewire

November 9th, 2010

A couple of days ago I was thinking a bit, and fuzzily about the NSA’s problem with their operating system on board the reverse-engineered EP-3E reconnaissance aircraft . The EP-3E  fell out of the sky above China after colliding with a Chinese jet and the crew failed to decommission the information hardware using the approved tools — a fire-axe and hot coffee. Patterns and behaviours observed by NSA information analysts later suggested that the Chinese had reverse-engineered the EP-3E’s OS.

The whole thing had to be re-written at the cost of hundreds of millions of dollars, but meanwhile the stratagems instantiated in that operating system had now become available to the Chinese and put in play in the flow of global surveillance. (One thinks of a demon, once owned by a particular master, now replicated and put to service at the hands of his enemy.)

There are three key things that interest me I think:

(i) Any informational system is capable of being reproduced;

(ii) Such dense systems encode an enormous amount of knowledge and strategy:  a way of operating on the world;

(iii) This embedded way-of-doing becomes, by virtue of its reproducability, available to other uses and other constituencies. (The expertise of the NSA is transferred to China’s military apparatus and soon put to work.)

Limewire LLC, a limited liability corporation in the United States, was was recently  forced to take its P2P software Limewire, a client for the Gnutella network, offline. The case cost the litigants many millions of dollars on both sides and the Recording Industry Association of America hailed the victory as a milestone for the recording industries.

However as TorrentFreak reports, within a matter of days hackers have taken the most recent binaries for Limewire, hacked them to remove some of the more annoying features, and re-released the client as ‘Limewire Pirate Edition’. ‘After Lime Wire LLC stopped distributing its software in October 2010,’ the project’s website reads,

a horde of piratical monkeys climbed aboard the abandoned ship, mended its sails, polished its cannons and released it FREE to the community to help keep the Gnutella network alive.

LimeWire Pirate Edition is pure P2P software; it does not depend on any servers operated by Lime Wire LLC or other companies. It does not include any adware or spyware, and it cannot be remotely monitored or shut down.

The following things seem to me interesting here:

(i) The process of law is obviously not very well suited to dealing with assemblages of code like this. Because there was a company involved, the company was sued. It lost. This prevents Limewire LLC from operating Limewire for profit. However, to the extent that there was any special ingenuity emdedded in its code, it is like the NSA’s operating system openly available to other constituencies. [Has anyone tried? to issue a cease-and-desist notice to a virus.] But it’s as if  the company Limewire, like the owner of a conjured demon, never really had possession of its entity: now the ‘piratical monkeys’ have it and apparently have made some quick improvements.

(ii) Two radically different modalities or spirits have been ‘in charge’ of Limewire the software in a relatively short space of time. Cf. the NSA’s problem with China. Knowledge is portable and its ownership is brittle.

(iii) Those seeking to change the social behaviours ‘emanating from’ Limewire [it 'induced' infringement] used one of the chief means available to them, the law — but Limewire’s reconstitution ensures the behaviours will continue unabated.

(iv) So it’s obvious why certain parties will want to seek control at the network level. At the juridical level and the level of code, control is lost.

Code is thus a general class of ‘post-state actant’. I should go back and read Lawrence Lessig’s book Code, which I always avoided for some reason.

UPDATE

In a pleasant irony, the ‘original’ Limewire’s site was recently updated to read as follows:

WE HAVE VERY RECENTLY BECOME AWARE OF APPLICATIONS ON THE INTERNET PURPORTING TO USE THE LIMEWIRE NAME, SUCH AS THE LIMEWIRE PIRATE EDITION. WE DEMAND THAT ALL PERSONS USING THE LIMEWIRE SOFTWARE, NAME, OR TRADEMARK IN ORDER TO UPLOAD OR DOWNLOAD COPYRIGHTED WORKS IN ANY MANNER CEASE AND DESIST FROM DOING SO. WE FURTHER REMIND YOU THAT THE UNAUTHORIZED UPLOADING AND DOWNLOADING OF COPYRIGHTED WORKS IS ILLEGAL.

Pirates cease-and-desisting other pirates is amusing.

EU To ‘Reform’ Copyright

November 8th, 2010

via Jim Killock /Open Rights Group, 05 November 2010

Commissioner Neelie Kroes today announced [1] that the EU Commission wants to reform EU copyright. She — like David Cameron yesterday [2] — stated clearly that current copyright laws are creating a barrier to creativity and trade:

“Today our fragmented copyright system is ill-adapted to the real essence of art, which has no frontiers. Instead, that system has ended up giving a more prominent role to intermediaries than to artists. It irritates the public who often cannot access what artists want to offer and leaves a vacuum which is served by illegal content, depriving the artists
of their well deserved remuneration. And copyright enforcement is often entangled in sensitive questions about privacy, data protection or even net neutrality.

It may suit some vested interests to avoid a debate, or to frame the debate on copyright in moralistic terms that merely demonise millions of citizens. But that is not a sustainable approach. We need this debate because we need action to promote a legal digital Single Market in Europe.”

[...]

Kroes is calling for two very important reforms. The first is pan-EU copyright licenses. This would allow simpler trade in legitimate copyright works. iTunes, for example, has never provided services to many EU states, because getting licenses is too complicated.

The second reform is about allowing the use of the vast swathes of music, books, films and photos where the copyright owners have long since disappeared, generally because they have died, and it is unclear where their relatives might be. These are called ‘orphan works’. While the best solution would be shorter copyright terms, there are other possible
solutions.

Here, Kroes’ solution is likely to be more limited and less ambitious. ORG participated in the evidence gathering and debates in the EU, following the Google Books case in the USA. Orphan works create complicated political debates, where particularly photographers have been worried that their works may be incorrectly classed as ‘orphan’. The Google Books debate also showed that there are commercial questions about who might be able to allow access to ‘orphan’ works, and where any money goes.

The result is that an EU orphan works solution may well be designed to deal with academic archival uses, rather than commercial uses. That’s ok as far as it goes, but may mean many old recordings, films and books stay out of print even when they have been digitized.

So today is another good today for those of us who want modern, flexible copyright: but both Kroes and Cameron will need to hold to their principles if we are to get the benefits they are talking about.

[1] http://europa.eu/rapid/pressReleasesAction.do?reference=SPEECH/10/619&format=HTML&aged=0&language=EN&guiLanguage=en

[2] http://www.openrightsgroup.org/blog/2010/cameron-copyright-is-out-of-date

Economies of the Commons

November 6th, 2010

At the Economies of the Commons conference in Amsterdam next week/end (11-13th November), I’ll be presenting some of VO.DO‘s recent successes distributing free-to-share film and generating revenue through ‘freemium’ models.

Having presented the STEAL THIS FILM project there a couple of years ago, it’ll be cool to be able to discuss how we’re putting the potential of P2P distribution to work for other creators. I plan to present a couple of VO.DO case-studies: Pioneer One S01E01 and The Yes Men Fix The World. Simultaneously, VO.DO will be premiering VPRO’s California Dreaming on our network.

I’m also looking forward to getting the low-down on the recent discussions around the so-called ‘Cultural Flatrate‘, which seems to be back on the agenda for many in the shared culture space.

Around seven years ago, along with Clay Shirky, James Love, Alan Toner and Richie Hawtin (Plastikman), I was involved in developing the so-called Blur/Banff proposal, which deals with the same problem — to whit, how do we sustain cultural production in a radically-altered distribution environment characterised by unchecked proliferation of copies? The answer we came up with involved a flat tax which, in essence, produced a national production fund distributed through crowdfunding. Works funded on this scheme would be distributed (at least in my conception) through P2P and made available on a free-to-share basis. Artists stood to benefit from popular works not by being remunerated for each download, but by being able to demand a higher “commission” price for future works.

This model has the benefit of not relying on copyright at all, which some of us considered even then to be hopelessly ill-tuned to the task of dealing with the extant media environment. Broadly speaking, I agree with Brokep that a “flat rate” levied on broadband connections which distributes revenue to artists based on counting downloads should make us uncomfortable for a number of reasons. As Brokep says, it’s difficult to imagine it working technically (just how do you monitor all that activity? We have trouble counting how many downloads occur through our own trackers!), and even if we could, it would imply implementing massive surveillance, something that should be avoided.

But more than that, as both Brokep and Felix Stalder point out in their reports from the recent Free Culture Forum in Barcelona, the idea of a ‘flat rate’ tax distributed based on counting copies is fundamentally atavistic. I loved Felix’ phrasing of  the conception of cultural works that underlies it:

as discrete (i.e. one work ends before the next begins) and stable (i.e. the work doesn’t change over time) [...] Such works are then registered and their travels through society need to be tracked in a system that interprets each step in their orbital movements as an act of consumption.

Felix renders our present situation very accurately, I think: one in which the idea of work-as-object is highly problematised. Our works travel in very unpredictable ways through the world, are haphazardly edited and re-edited, and move untidily through processes of consumption that are increasingly deterritoralized. Yes, the objects still exist, but in highly unstable forms and venues: what really matters now is the way they connect audience and creators, the new relationships they allow us to enter into and, for the purposes of VODO at least, the extent to which these relationships can be leverage to provide a sustainable revenue for artists.

Frankly the whole conversation around “flat rate” and alternative compensation models is as fraught as it is fascinating. Our attempt with VODO (as Brokep’s with Flattr) is to prove that a market solution to the ‘problem’ of remuneration can emerge and exist within the juridical framework that currently exists.  But as good friend of mine (who I think could fairly be described as having a keen political intuition) points out, absent an imminent solution which is seen to function at a basic and fundamental level, pressures on governments to enact further retrograde, repressive laws will increase (ending, for example, net neutrality; implementing three strikes; allowing deep packet inspection; further eroding data privacy), very likely producing a situation which is inimical to the existence of our progressive, pro-peer-culture projects.

To put this another way, traffic shaping at the network level, repression of filesharers and so on represent serious impediments to the realisation of a real P2P Culture. So perhaps we need to entertain “flat-rate” type solutions –– even those that seem ill-fitted to the networked era — because assuming there’s will to implement such schemes, they would provide valuable breathing room and an environment that would perhaps be easier to tweak later on. (And the fact that Brazil is about to introduce a bill on this indicates that is far from being a pipe-dream.)

It does seem to me that we should be more involved with these discussions in the coming months, and I will be happy to pick up the discussion with Volker, Felix and others at Economies of the Commons in Amsterdam.

Seymour Hersh interrogates “Cyber War” (New Yorker)

November 6th, 2010

The intrepid Sy Hersh pulls apart the idea of “Cyber War” in the New Yorker this month, and in doing so produces some interesting info on military (in)security.

Specific notes from this piece related to my ongoing research into post-state actants:

(1) Physical systems, such as the NSA operating system and various surveillance drivers onboard the EP-3E reconaissance craft, are embodiments of informational techniques, concrete instantiations of human ingenuity (“intellectual property”) in silicon-embedded code. They can be reverse-engineered, as apparently occurred when the Chinese  took possession of this plane, and the knowledge they instantiate can be extracted and re-deployed in unpredictable ways at a global scale. Any such embodiment of state-of-the-art knowledge which, as with the EP-3E, has to be projected into the world,  is a potential point of re-territorialisation and redistribution of knowledge. In other words, the fundamental qualities of digital reproduction (copyability) and distribution apply even to military knowledge which is surprisingly susceptible to capture and redeployment once it’s projected into enemy territory. I find it all the more surprising that the NSA rely on crew taking an axe to the machines and pouring coffee on them. One would rather think they would fit it with some incendiary device… Especially since this ‘compromise’ resulted in having to completely re-write an NSA operating system.

(2)  The short version of the above: compromise of a single system can now mean compromise of an entire national security infrastructure, and this is a problem.

(3) Viruses are increasingly seen as weapons, or even actants, in international warfare. They are products of individuals and groups but take on qualities associated with state opponents. They are hard to control. Their originations are often hard to track, as with Stuxnet, which really could have been created by anyone given that it attacked systems indiscriminately. (Also note on Stuxnet that Microsoft had to fix the fault itself — a private response/solution to a “military” problem.)

(4) There is a specific reference to piracy as a military problem in this article. AA: what does this imply for net neutrality etc. If piracy = warfare, surely infrastructural control is a given.

Sorry if these notes are not much use to anyone else.