Paranoid Park

Paranoid Park is adapted, with reasonable fidelity, from Blake Nelson’s young-adult novel. But in telling the tale of a Portland skater kid involved in the accidental death of a railroad bull, Van Sant comes close to inventing his own film language. The chronology is shuffled and the narrative dealt out as a succession of subjective impressions. Paranoid Park is both loose and structured, fluidly shot in 35mm, Super-8, and videotape by Chris Doyle and suavely jagged in its editing.

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One Response to “Paranoid Park”

I saw Paranoid Park in Paris few months ago - it is definitely lyrical Van Sant, but if you check back to Drugstore Cowboy, or My Own Private Idaho, you can see that subjectivity more at play.

I think with Elephant and Paranoid Park you’re seeing more intimacy and development/reveal of performances - its more an actor/camera interplay thing than the stylistic film language innovation of earlier work - Chris Doyle is pretty perfect for that, a master of cinematographic intimacy.

Matt added these pithy words on Apr 14 08 at 10:53 am

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